Floundering a bit after the death of his aged mother, Manley Carstairs, a selfstyled literary artist, engages a housekeeper, Annie Dankworth, to look after his large Victorian house (and himself).

When Annie first arrives, wearing sneakers and carrying her belongings in a grocery cart,  Manley is taken aback, but she
seems so eager to please that he relents—after which their relationship progresses rapidly from initial reserve to active hatred.
Annie is one of the world’s great oddballs. She insults her employer, denigrates his writing, admits she forged her references, accuses Manley of lusting after her and, in general, makes his life a hell.

Eventually Manley can take no more, but when he advances on Annie with strangulation in mind, he trips, falls into her arms, they embrace, and the rest is history.

The play covers all these unlikely events with lively wit and biting humor, becoming funnier and funnier as it builds toward its unexpected and thoroughly delightful conclusion.